As book, what Steve Dixon has set out to produce here is stunning, monstrous in its dimensions -- virtually impossible. If you have any interest at all in recent histories of performance, this is precisely why you need to get hold of it.
The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web.
In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk concept of the total artwork , and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century.
To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the 'extratemporal' illusion created by some technological theater works.
Search for a digital library with this title Search by city, ZIP code, or library name Learn more about precise location detection. View more libraries In , year old Italian Leonardo of Pisa finished one of the most influential books of all time, which introduced modern arithmetic to Western Europe.
Devised in India in the 7th and 8th centuries and brought to North Africa by Muslim traders, the Hindu-Arabic system helped transform the West into the dominant force in science, technology, and commerce, leaving behind Muslim cultures which had long known it but had failed to see its potential. Leonardo had learned the Hindu number system when he traveled to North Africa with his father, a customs agent.
The book he created was Liber Abbaci, the "Book of Calculation," and the revolution that followed its publication was enormous. Arithmetic made it possible for ordinary people to buy and sell goods, convert currencies, and keep accurate records of possessions more readily than ever before. Liber Abbaci's publication led directly to large-scale international commerce and the scientific revolution of the Renaissance. It is a story about the personal computing revolution that occurred in the s, but with the novel twist that it was actually history repeating itself.
Leonardo and Steve.
0コメント